Sprunghaltung II by Zhang Kun
From time to time, when we encounter a gap or a void, our first reaction is to perceive it as mere emptiness. However, in art, what appears to be emptiness is, in fact, vital to the overall structure. The inherent tension within the form creates a dynamic balance by contrasting with surrounding elements and spaces. This subtle interplay between “emptiness” and “object” enhances the expressiveness of the composition. The static forms are no longer just passive existences; instead, they serve as a conduit for the viewer to embark on an experience filled with the unknown.
跳躍姿勢 l & II / Sprunghaltung l & II
當我們看到空⽩或空隙的時候，時常第⼀反應是簡單的空⽆。⽽在藝術創作中，看似空盪，實則卻 在整體結構中⾄關重要。造形的內在張⼒通過與其他事物或空間的對⽐，⽽形成了⼀種動態的平 衡。這種“空”與“物”所創造的微妙張⼒，使得整體呈現更富表現⼒。⽽靜⽌的形態也不再是單純的 存在，⽽是作爲協助，讓觀者進⾏⼀種充滿未知的體驗。
Dimension: approximately 36 x 31 x 49 cmc
Material: Ebony, Pink Ivory Wood
This piece is ready to ship, if you want to talk to us before purchase, feel free to contact us via info@obellery.com
From time to time, when we encounter a gap or a void, our first reaction is to perceive it as mere emptiness. However, in art, what appears to be emptiness is, in fact, vital to the overall structure. The inherent tension within the form creates a dynamic balance by contrasting with surrounding elements and spaces. This subtle interplay between “emptiness” and “object” enhances the expressiveness of the composition. The static forms are no longer just passive existences; instead, they serve as a conduit for the viewer to embark on an experience filled with the unknown.
跳躍姿勢 l & II / Sprunghaltung l & II
當我們看到空⽩或空隙的時候，時常第⼀反應是簡單的空⽆。⽽在藝術創作中，看似空盪，實則卻 在整體結構中⾄關重要。造形的內在張⼒通過與其他事物或空間的對⽐，⽽形成了⼀種動態的平 衡。這種“空”與“物”所創造的微妙張⼒，使得整體呈現更富表現⼒。⽽靜⽌的形態也不再是單純的 存在，⽽是作爲協助，讓觀者進⾏⼀種充滿未知的體驗。
Dimension: approximately 36 x 31 x 49 cmc
Material: Ebony, Pink Ivory Wood
This piece is ready to ship, if you want to talk to us before purchase, feel free to contact us via info@obellery.com
From time to time, when we encounter a gap or a void, our first reaction is to perceive it as mere emptiness. However, in art, what appears to be emptiness is, in fact, vital to the overall structure. The inherent tension within the form creates a dynamic balance by contrasting with surrounding elements and spaces. This subtle interplay between “emptiness” and “object” enhances the expressiveness of the composition. The static forms are no longer just passive existences; instead, they serve as a conduit for the viewer to embark on an experience filled with the unknown.
跳躍姿勢 l & II / Sprunghaltung l & II
當我們看到空⽩或空隙的時候，時常第⼀反應是簡單的空⽆。⽽在藝術創作中，看似空盪，實則卻 在整體結構中⾄關重要。造形的內在張⼒通過與其他事物或空間的對⽐，⽽形成了⼀種動態的平 衡。這種“空”與“物”所創造的微妙張⼒，使得整體呈現更富表現⼒。⽽靜⽌的形態也不再是單純的 存在，⽽是作爲協助，讓觀者進⾏⼀種充滿未知的體驗。
Dimension: approximately 36 x 31 x 49 cmc
Material: Ebony, Pink Ivory Wood
This piece is ready to ship, if you want to talk to us before purchase, feel free to contact us via info@obellery.com
